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Current Projects: Fiction


Did She See You?    Thriller/Quality Commercial Fiction      New

Jason Johnson

A powerful and haunting new novel from the investigative journalist which examines how we view ourselves and the world around us, social media and mental illness. Part thriller, part social commentary, it is a highly original work of fiction.


A murder at an Irish hillside cottage. A mother shot by her mentally ill daughter. The girl’s stepfather, Lars, the only witness.


Two years on and it replays vividly in his mind. He visits often with Mim, the psychotic teen, at a state-of-the-art facility for the criminally insane. He asks over and over if her mother had known she was about to kill her. Did she see you? 


But he can’t get through. After the shooting Mim claimed her brain was intercepting the non-stop, white noise of live social media. All she does now, asleep and awake, is voice imagined random messages swapped between mobile phones.


Lars can’t bear it. By night, he swims into sea ferry lanes at the mouth of his adopted city of Belfast before battling back to shore on exhausting missions of persistence. By day, drawn to macho mantras traded among ‘red pilled’ men, he works as a life coach, takes to writing a self-help book driving the message that stories we tell ourselves become our reality.


Obsessed with securing an answer to his question, he finds solace in fellow life coach Bet, her self-reliant mindset reminding him of his slain wife Imogen.


When young American Dagny O’Reilly arrives at his office Lars has no idea she’s a YouTube superstar with an interest in his family story. An awkward friendship crashes when he learns she’s been making approaches to incarcerated Mim. Persistent Dagny claims Mim has requested a question be put to him about the murder... Did she see you?


Lars, confused, is tested more when it emerges Mim’s biological father Raymond, who had raped Imogen, has also reached out to her at the progressive New Ready House lockup. Lars calls at Raymond’s home only to find him dead, a hole freshly bored in his head. When he realises Dagny’s in the house he flees.


His world closing in, Lars learns Mim has escaped New Ready House with the aid of her visiting grandmother. He makes his way to the abandoned cottage, finds the girl in the high branches of a tree. She would often retreat there, offline mobile in hand, after recording myriad disturbing films as a child.


As she murmurs her endless, useless messages, Dagny moves into view beside the girl. She demands Lars admit his own role in Imogen’s death and he concedes. Amid clashing words Dagny falls, her neck cranked on impact. Mim’s mobile phone, wrapped and stashed behind tree bark, also falls down from the tree. 


Dagny dies and Lars, fearing a link to another death, speeds off with her body while calling on Bet to take charge of Mim. As he swims into the ferry lanes with Dagny in tow, he reflects how it had not been a pistol Mim aimed at her mother, but the missing phone.


As Dagny and the phone sink to the deep, Lars sees the American take on the face of his troubled stepchild. He’s compelled to dive to her rescue, but the distance to shore is too great. Lars and Mim – not Dagny – embrace and slow twist into the depths.


A funeral service for Mim’s grandmother, whose visit to New Ready House ended with the teenager walking out in her place.


Lars recalls how it had been Imogen, desperately unwell and increasingly violent, who raised the pistol to her own temple despite his anguished objections. Blaming herself for wrecking his life, she’d insisted her self-sacrifice would free him from the psychotic girl, that a killing blamed on Mim would secure her world class care at New Ready House, beyond the state healthcare system Imogen distrusted. 


Imogen had not known that Lars had an opportunity to stop Raymond’s sex attack but, due to a petty resentment, chose not to. He had since carried an immense, secret guilt.


Lars had sought some resolution in ensuring the true story of his wife’s death was never told. With his question he sought to wear down Mim to the point where she would reveal the location of the most accurate witness, the mobile phone.


Lars considers how New Ready House’s light-touch regime had allowed him to meet Mim beyond its walls, that as she blankly mumbled away his mind created internet star Dagny O’Reilly.


Lars embraces Mim once more as they leave the funeral, arrangements underway to meet again beyond New Ready’s walls.


Bet, who plunged into the lough to save unconscious Lars and Mim, talks of rebuilding a life together.


Irish investigative journalist Jason Johnson is the co-author of Slave (Ebury Press, 2018) and the author of four novels: Aloysius Tempo (Liberties Press, 2015), Sinker (Liberties Press, 2014), Alina (Blackstaff Press, 2006) and Woundlicker (Blackstaff Press, 2005). He lives in Belfast.


Authors’ Home: Belfast                                                                      World Rights

Anna’s Shadow     Women’s Contemporary/Historical Commercial Fiction             New


Ingrid McCarthy


Searching for a lost love some 50 years on, Luke Miller, his son, and grieving Sofia Rossi find so much more.


Sofia Rossi, a Canadian-Italian orthopedic surgeon on stress leave from Doctors Without Borders after the death of her fiancé, is staying with family in Verona and volunteering at the Juliet Club, answering letters from hapless lovers around the world. When a letter from the son of Luke Miller, a 78-year old German-Canadian, arrives at the Club, Sofia is put in charge of the reply. Luke Miller is searching for Anna Bissoli, a young woman he had met briefly at the end of WW II in Verona while serving with the German army.  Unable to help Luke, Sofia answers the letter to the best of her ability. When Luke arrives unexpectedly in Verona accompanied by his son and wishes to pursue the search for Anna with Sofia’s help, she finds herself drawn into an adventure that will change her life.


As the search begins, they meet an array of characters: a charming older cousin of the Bissolis who sheds light on the lives of the family, especially on Anna’s brothers who were resistance fighters; a grandniece of Anna Bissoli; fascist relatives of the Bissoli family; and two possible candidates with the name Anna Bissoli.


The events shift between the present and the past and tell the story about Luke’s friendship with fellow soldier Uwe Behrens in Verona in 1945, his postwar life in Switzerland and Germany, and later in Canada, his continued fascination with Anna, his marriage to the widow of his best friend in Montreal and raising a troubled stepson (Romeo), and how at a mature age, and now widowed, he sets out to find an answer to the question: what happened to Anna?


In the end, it is Sofia alone who finds Anna, after Luke, Romeo and her ex-detective father who had joined her in the search, had given up hope. Anna is married to Uwe, who changed his name to Udo Lonardi after he deserted during the war.  As we see in flashback, as a young soldier in Verona Uwe befriends Anna and secretly courts her for many months. After her mother, Luisa, is imprisoned by the Germans and questioned about her sons’ partisan activities, Uwe frees her from the notorious Palazzo dell’INA in Verona and, while doing so, kills a Nazi official, and then goes into hiding in a partisan camp, but not before making sure that his friend Luke is protected as well. Luke however, mistrusts Uwe’s protectiveness and all his life harbours suspicions about his friend’s mysterious behaviour.


When, so many years later, Luke discovers Udo’s marriage to Anna and learns the truth, he accepts the outcome, for Udo was his friend, who saved Luke in 1945, and most important, Anna was and had always been safe. After Udo’s death, Anna gives up on life. Luke spends the final weeks with her, and those weeks will always be precious to him.  


While in Verona, Romeo and Sofia slowly, but hesitatingly, begin to bond as well. Eventually, both shed their reluctance to begin a romance.  Sofia goes home to Montreal, instead of returning to the Congo, where memories of her fiancé still linger. Two years later they marry, and now have a five-year old daughter. As they make arrangements to visit Sofia’s parents, who now own a house near Verona, Sofia reveals that she is writing a novel called Anna’s Shadow. It is Anna’s shadow, she claims, that has stretched for sixty years over many lives, until it reached her and Romeo, bringing them together.  


Ingrid McCarthy is an indie author of several books for children and dramatic novellas for adults. The German translation of her novella, Theodor’s Choice (Theodors Entscheidung), became the bestselling book in the German historical genre on Amazon during April 2018.  She also writes novels and novellas under the pseudonym Rose D. Franklyn. She lives in Ottawa, Canada.


Author’s Home: Ottawa, Canada                                                   World Rights


The Stamp of Beauty        Quality Women’s Commercial Fiction/Literary Fiction    New


Fionola Meredith  


This highly original and unsettling novel from Irish journalist, Fionola Meredith charts the course of an unlikely and deeply dysfunctional relationship between a young woman and a much older man in a contemporary setting.


Leni is a 24-year-old married mother-of-one who wants to forge a career in journalism; Roddy Riseborough, in his late fifties and a lifelong commitment-phobe, is the editor of a high-profile daily paper, who seizes the chance for the control and coercion of his young charge. Set in modern-day Ireland, this unsettling novel from Belfast journalist, Fionola Meredith charts the course of an unlikely and deeply dysfunctional ‘age-gap’ relationship to its devastating conclusion. Disturbing yet darkly humorous, forensic but somehow compassionate, this story absolutely nails what lies at the heart of the male fear of intimacy, and the hidden impulses which can drive our most fatal attractions..


Fionola Meredith is a writer, broadcaster and commentator, based in Belfast. She contributes regular features, comment pieces and reviews to the Irish Times, and writes a weekly opinion column in the Belfast Telegraph. She is also a frequent contributor to BBC Northern Ireland current affairs and discussion programmes, debating the moral, social and political issues of the day.


The Stamp of Beauty is Fionola’s new novel. Her first novel, Sing Sisters, is also available (see below). Aside from her media work, Fionola has a keen interest in contemporary visual art, and for the last seven years she has served as chair of the board of directors of the Golden Thread Gallery in Belfast. She lives in Belfast with her husband, Robbie and their son and daughter, Aaron and Cait.


Author’s Home: Belfast                                              World Rights

Sing Sisters    Quality Commercial Women’s Fiction        


Fionola Meredith


This brilliantly observed first novel from journalist Fionola Meredith is a darkly comic coming-of-age story centring on an all-women singing group, which dissects the complex dynamics of female friendship and the so-called ‘sisterhood’, as well as the madness of evangelical Christianity and the universal human need to belong to a group, a creed, a ‘tribe’.


Set in Belfast in the mid-noughties, the action is seen through the eyes of 17-year-old schoolgirl Catriona, outwardly shy but inwardly possessing all the assurance of a bright teenager as yet unscathed by the challenges of adult relationships, separation and loss. When a music teacher at school recommends a local singing group – and Catriona discovers it is run by the mother of Henry Harper, the English classmate on whom she has a huge crush – she joins the all-female choir, seeing it above all as an opportunity to get closer to Henry.


With their wild tribal chants, hymns to Mother Earth and impassioned anti-war anthems, Catriona has never met women like this before.


A covert battle for control of the group soon develops between the chilly Alison and the seductive, charismatic Angel. As tensions deepen, the tactics get dirtier, and Catriona learns a great deal about female friendship, group dynamics and the true nature of the ‘sisterhood’.


A wickedly funny book which pokes fun at human pretention, especially that of the female sex, and forces the reader to take a closer look at some of those things modern feminism tends to regard as sacred – such as the sisterhood, female empowerment, being a mother and even the menopause. In its portrayal of a classic ‘battle of the Queen Bees’, there are shades of Gill Hornby’s The Hive and a literary Mean Girls, while the voice of the teenage narrator Catriona carries a flavour of The Secret History by Donna Tartt.


As well as humour however, there is another, more poignant dimension to the story – a deep, compassionate understanding of human weakness and the need we all have to be acknowledged and to somehow belong.


Fionola Meredith is a writer, broadcaster and commentator, based in Belfast. She contributes regular features, comment pieces and reviews to the Irish Times, and writes a weekly opinion column in the Belfast Telegraph. She is also a frequent contributor to BBC Northern Ireland current affairs and discussion programmes, debating the moral, social and political issues of the day.


Fionola’s original background is academic: she holds a PhD in English and Scholastic Philosophy from Queen’s University Belfast, and her doctoral thesis was published as a book, Experiencing the Postmetaphysical Self: between Hermeneutics and Deconstruction, by Palgrave Macmillan (2004). Sing Sisters is Fionola’s first work of fiction. Aside from her media work, Fionola has a keen interest in contemporary visual art, and for the last seven years she has served as chair of the board of directors of the Golden Thread Gallery in Belfast. She lives in Belfast with her husband, Robbie and their son and daughter, Aaron and Cait.


Author’s Home: Belfast                                              World Rights


Peninsula                                       Quality Commercial Women’s Fiction     


Tanya Ravenswater


Peninsula, a second novel from published author, Tanya Ravenswater (Jacques, Twenty7 Books, 2017) is a beautifully told love story with a dark secret at its heart.


When 40-something artist, Gillian returns to remote Strangford Lough in her native Northern Ireland for a break from city life in Manchester, where she has been living for nearly two decades, she is hoping to take refuge for a few weeks in the beauty of the landscape and draw comfort from the memories of the beloved parents she has recently lost. Newly divorced, she also intends to keep her visit to the area below the radar of her two older sisters, who, settled with husbands and children in a neighbouring town, would never have contemplated leaving Northern Ireland, and have never really approved of Gillian’s more free-thinking views about what makes for a fulfilling life.


The day after she arrives, Gillian is somewhat irritated to discover that she must share her space on the small farmstead near the Lough shores with David, who is renting the cottage next to hers. Although it is quickly clear that they have plenty in common – David too is in his 40s, holidaying alone, originally from County Down, and now based in Manchester – Gillian is determined that she will keep her distance from him, so as to fully enjoy her solitude as originally planned. As it turns out, she need not have worried – her temporary neighbour is just as keen to keep himself to himself. 


Over the course of the next few weeks, however, their paths keep crossing, and it becomes increasingly obvious to Gillian that the purpose of David’s visit to the area is not purely recreational, and that he seems to have troubling score of his own to settle. As the narrative shifts between Gillian’s perspective and David’s, we gradually discover the sense in which each of them is haunted by old ghosts which need to be finally be laid to rest.


As well as a captivating portrayal of a small, intense, inward-looking community whose difficult past still bleeds into the present, Peninsula is a hugely lyrical evocation of place, of a beautiful landscape and the sometimes difficult sense of belonging ‘home’ can engender. While we are not spared an unflinching examination of the dark, chilling underbelly of life in such an apparently beautiful place, this book is ultimately an uplifting and life-affirming read, and one which will draw the reader in from the very first page.


Tanya Ravenswater was born in County Down, Northern Ireland, in 1962. She graduated in modern languages from St Andrew’s University, trained in general nursing at Edinburgh Royal Infirmary and later gained an M.A. in Counselling Studies from Keele University, Staffordshire. She has worked as a general nurse, as a bereavement counsellor and in counselling education.


Tanya writes fiction and poetry for adults and children, and has facilitated numerous writing workshops and projects within an educational context. Her first novel, Jacques, was published by TwentySeven Books/Bonnier in 2016. Her short stories have been published among shortlisted entries for the Cheshire Prize for Literature, and her poems have appeared in poetry magazines, such as Orbis and Obsessed with Pipework. Tanya won the Cheshire Prize for Literature in 2015 for her children's poem, 'Badger’.


Author’s Home: Cheshire, England                                                                                World Rights

Pickle's Progress – A Novel     Upscale Commercial Debut Fiction


Marcia Butler


Critically acclaimed memoirist (The Skin Above My Knee) Marcia Butler’s debut novel.


When Jacob Kalisaart commits suicide off the pedestrian walkway of the George Washington Bridge, he unwittingly delivers his girlfriend, Junie Malifatano, into the hands of the McArdle family: Stan McArdle, his wife Karen, their dog The Doodles, and Stan’s identical twin brother, Pickle McArdle. Karen and Stan take the traumatized young woman into their home, a brownstone on the Upper West Side of Manhattan. Junie becomes the guileless psychological pawn for the dysfunctional family; they use her as leverage against each other. Over five weeks, long-held alliances are threatened, shocking secrets are exposed, and love never looked so strange or felt so heavenly.


Stan and Karen run an architectural firm and are “working” alcoholics. Pickle, a cop, has been waiting for two years to move into the upper two floors of the brownstone they all purchased together. But Karen has put off the renovation necessary for Pickle’s half of the building. The reader discovers that Karen and Pickle are having an affair, and Karen fears that if Pickle moves into the brownstone, their affair will necessarily end.


As this relatively simple dilemma floats on top, a more complex narrative unfolds. Stan suffers from mild obsessions: counting, color-coding, lining stuff up, and is a bit of a savant; he grapples with life in this odd manner while being duped by his brother and wife. Stan resents Junie living in the brownstone, because he feels she cannot possibly understand his eccentricities. Simultaneously, Pickle has an immediate fascination with Junie, as does Karen, each for deep seeded reasons. All their lives quickly begin to whirl around Junie, who is simply trying to recover from the trauma of the suicide of her boyfriend. She functions as the person with whom Pickle and Karen can actually “be themselves” in a vulnerable way, and without deception. Pickle and Karen are both in love with each other and in heavy competition for Junie. Stan blocks the whole thing out; or does he?


As the McArdle Clan works out their various entanglements, they act out in degrading ways: Pickle is rough and unkind to Karen and later actually impersonates Stan in an effort to mess with their architectural firm. Karen is playing every angle she can think of to keep the status quo afloat: Stan and their business, Pickle whom she loves deeply, and Junie who she sees as a surrogate sister.  Karen and Stan play out their “George and Martha” relationship while attempting to get sober. Junie is the solar plexus of all their struggles.


A sometimes dark, quirky present day New York City story, with iconic architecture and the art world playing backdrop roles. Part Tom Wolfe, part Woody Allen, and part John Updike, the novel addresses the bond of identical twins, the hardships of booze, and the pitfalls of beauty. All of it is questioned, tested, and mangled, as so often happens in life.


Marcia Butler’s nationally acclaimed memoir, The Skin Above My Knee(Little Brown, 2017), was one of the Washington Post’s “top ten noteworthy moments in classical music in 2017”.  She was chosen as 2017 notable debut author in 35 OVER 35. Her work has been published in Literary Hub, PANK Magazine, Psychology Today, Aspen Ideas Magazine, Catapult, Bio-Stories and others. Her first piece of flash fiction appears in the anthology One Hundred Voices from Centum Press. Marcia was a 2015 recipient of a Writer-in-Residence through Aspen Words and the Catto Shaw Foundation.


Marcia was a professional oboist for twenty-eight years until her retirement in 2008. During her musical career, she performed as a principal oboist and soloist on the most renowned of New York and international stages, with many high-profile musicians and orchestras – including pianist Andre Watts, and composer/pianist Keith Jarrett. The New York Times hailed her as a “first-rate artist”. .


Author's Home: New York City                                                             World Rights Ex US & Canada

The Listeners       Book 1 in the Carla Herron series           Crime Fiction


Anthony J. Quinn


Detective Carla Herron is leading the investigation into the savage murder of a respected psychotherapist whose decapitated head has been found in a forest clearing. The crime scene is devoid of any leads but a patient at the nearby Deepwell psychiatric hospital has declared responsibility for the deed in a vividly detailed confession – even though his claim is demonstrably impossible.


Dedicated and full of aspiration, Carla throws herself into the investigation. She discovers that several of the other patients on the ward have made similar confessions in the past year. Faced with secrecy, professional betrayals and cover-ups, she is soon stripped of any illusions about her capabilities. Ignoring the advice of her superiors, Herron delves into the hidden secrets of the hospital, embarking on a chilling trail through the bleak Scottish borders that winds perilously between hallucination, violent fantasy, all towards a final, deadly, twist.


The Listeners is about a woman who turns the unsettling silence of a Scottish forest into a murder investigation.  Stationed amid the heather and pine-forested hills of the Borders, Detective Carla Herron is trying to find her place in the world, in her career, and in her personal life. When a patient at a local psychiatric hospital makes a false confession to murder and describes in hypnotic detail his recurring nightmare, a grisly crime scene in the middle of a nameless forest, she becomes obsessed with finding its exact location. 


In the course of the novel, this mental landscape becomes a refuge for Herron, a hiding place from the pressures of her personal life, even though it links her to the darkest place imaginable, the mind of a man who fantasises about murder. Herron’s obsession is finally rewarded when she discovers a perfect fit for the patient’s nightmare in the landscape of the Southern uplands. 


However, it is a trick landscape, assembled by a calculating murderer, which carries Herron far beyond her own limits as a detective and a human being, into a deepening torrent of nightmares and dangerous fantasies


Anthony J. Quinn is the critically acclaimed author of five Detective Celcius Daly crime novels, published by Head of Zeus.


Author’s Home:  County Tyrone, N. Ireland     

North American Rights available (UK and ROW to Head of Zeus)

Hurstbourne House     Quality Commercial/Literary Fiction


A Novel within a Novel

Eoin Lane

A ‘Big House’ novel with a difference, which is completely made up by a writer as an escape from grief but who finds instead that his characters, led by the eccentric 92 year old Lady Nerine, have very much taken him on his own journey of self discovery and awareness.

When Gerard, returns to Ireland, mourning the death of his partner Shane, he takes a job restoring the garden of an historic house. Inspired by the atmosphere of both house and garden, he begins to write his fictional Lady Nerine story as an escape from grief.

The novel opens with Lady Nerine. This razor sharp lady lives in a drawing room, gazing out at long herbaceous borders and dreaming of earlier days. Her mother’s ghost drifts amongst the corridors and garden paths and the Greek statue of Hermes, Messenger to the Gods, casts a long shadow across her mind.

She befriends a new young gardener, Hugh because he reminds her so much of Colm, a gardener she fell in love with when she was young. She takes us back on a trip to India where she spent unhappy colonial years with her husband, the ‘beastly’ Randolph.

In the separate diaries which are interweaved with Lady Nerine’s story, we meet Gerard, the grieving writer behind these characters.

Death now stalks the pages of both diary and story.

Hugh and Lady Nerine grow ever closer, but when Hugh has an accident and has to leave, Lady Nerine is so upset at losing him that she finally caves in and relives the night at the ice house. Revelation after revelation takes place, building to the murderous climax of the book and the truth about Lady Nerine.

In a final twist, the writer has some revelations of his own to make, which shed even further light on both the story and his own journey. Although, the shadow of Hermes eventually comes for Lady Nerine, in the end she remains more real than ever to the writer, as the fictional creation who rescued him from himself and his past.

Eoin Lane’s new novel is a stunningly original work, both a highly commercial work and a highly literary novel that uses the big house format to deceptively capture the reader’s attention and take us on two different yet parallel journeys of love and redemption. It reads fast and is very accessible, yet what a beautifully written and compelling a story it is.

Eoin Dolan Lane was a finalist in the 2016 Greenbean Novel Fair for In the Shadow of Hermes. He was also the fourth prize winner in the inaugural year of the RTE Frances Mac Manus Awards 1986, when James Plunkett was the head judge (The story was later published in the accompanying anthology with Mercier Press), and , in 2015, he was shortlisted for the same awards with his story When Blue Snowflakes Fall . This is his second novel. His first, Beyond the Horizon, will be published by Blackstone Publishing in 2020.

After a degree in Fashion Design, Eoin worked with Vivienne Westwood in London, before designing in New York and Seattle with spells in Hong Kong and India for Timberland and The Woolmark Company. After diversifying into public relations for the property and interior design sector in London, Eoin then won a scholarship with The National Trust and took charge of the formal gardens at Mount Stewart in County Down for eight years where he hosted Prince Charles’ visit in 2010.

Eoin also exhibits oil on canvas landscape paintings with The Trinity Gallery Dublin and The Lavelle Gallery Clifden. He lives in Comber, County Down with his partner Ian, their cat Shadow and Pomeranian x Terrier, Pepe.

Author Home: Comber, N. Ireland                       World Rights




Her Kind                   Quality Commercial Women’s Fiction/Historical Fiction          

Tina Pisco

In the spring of 1894, a mysterious young woman arrives in a remote village in the west of Ireland. Some will love her, many will hate her, and one will fall hopelessly in love with her. But no one will be able to foresee or forestall the events and circumstances which conspire inexorably against her, leading to her downfall. Her Kind is a compellingly readable novel from a bestselling author and gifted storyteller, who engages you from the first sentence and draws you into the dark drama of a tragedy very much of its time.

In 1894, the small community of Kilkeam in West Cork is rocked by the sudden arrival of an enigmatic y​oung woman. A widow with a small baby, Maeve O’Leary intends to make her new home in the local Lodge, to which she holds the deeds. This means that she is now landlord to Mick Kelly, a brutish bully who for years has had a lucrative sideline in the production of poitín on Maeve’s property, with the help of his co-conspirator, the crippled and embittered Jack Ganey.

Beautiful, independent and free-spirited, Maeve quickly poses a threat not only to the illicit activities of Mick and ‘Gamey Jack’, but also to many other aspects of the established order in a village whose inhabitants are laid low by poverty and crushed by the absence of any hope of a better life.

Maeve’s presence quickly sets in motion an unfortunate series of events within the small community, and soon the reader can only watch helplessly as larger forces conspire against her.

Inspired by and loosely based on the true story of the 1895 burning in Tipperary of Bridget Cleary (who was set alight and burned to the death because her husband and father believed her to be a witch), Her Kind explores the myth of the witch within the folklore tradition of Ireland, and the sense in which such beliefs were used to legitimise the casting out of those who did not conform. With the lightest of touches, the author also looks at the collision of town and country, of storytelling and science, of old and new, as well as, most significantly, the unhappy lot of ordinary women in the Ireland of the late 19th century.

Her Kind is the second book in the Magpie series (the first, the bestselling Catch the Magpie, was published in 1999 – see below). However, like its prequel, it can be read as a stand-alone novel. The author plans to write a third book in the series — Annie — which will follow the continuing fortunes of Maeve’s ancestors.

Tina Pisco was born in Madrid, Spain and lived mostly in mainland Europe before moving to West Cork in 1992. She has been a professional writer for over 25 years, working across the genres of prose, poetry and drama, in fiction and non-fiction. Her two previously published bestselling novels, Only a Paper Moon and Catch the Magpie (1996 and 1999, Poolbeg Press), have been translated into five languages. An acrimonious divorce in 1996 meant that for the next decade, Tina’s focus was entirely on bringing up her four teenage children. Now that all of her daughters have grown up and left home, she has been able to return to writing again.

Tina currently lives with her partner in a big house on the hill in Clonakilty, along with two dogs and three cats.

Author’s Home: Clonakilty, Ireland                      World Rights




In Between Jobs             Memoir

Duncan Pow

From a clearly talented writer, this book is gritty, sordid, vivid and compelling on so many levels – a very dark contemporary tale, tempered by an unexpected spiritual dimension . . .

I was 34 years old:


I am an actor. I am a son. I am a brother. I am a nephew. I am a drug addict. I am a sexual deviant. I am a lover. I am a fighter. I am good. I am bad. I am a Buddhist. I am all of these things. I am none of these things. I am everything. I am nothing.


I was making a cause. I was trying to change. Because the only thing that is constant is change. But my demon had other ideas. My demon wanted me for itself. A battle between light and dark. Between moving forwards and regressing. Between happiness and unhappiness. I was in between jobs.


Duncan Pow is an actor, originally from Scotland and now living in London. With no formal training but plenty of raw talent and formidable drive, at this early stage in his career Duncan was already a recognisable and successful television actor.


But Duncan was also a functioning addict, addicted to cocaine, success, pornography and dark, depraved sex, wherever he could get it. He was addicted to addiction itself, with its heart-breaking cycle of synthetic highs and crashing lows, where punitive purging follows increasingly sordid excess, and fresh resolve only ever ends in countless broken promises to the self.


Yet our anti-hero had lately discovered a more spiritual dimension in life and, in the tradition of Buddhism, he has ‘made a cause’: to change his way of being at the most profound level. As the endless cycle of his addict’s existence moves in ever-decreasing circles towards seemingly inevitable catastrophe, might it be that this new-found spiritual awareness will only serve to heighten Duncan’s inner turmoil, transforming an already potent cocktail of sex, drugs and addiction into a truly deadly one?


As this mesmerising, compulsive narrative hurtles towards its conclusion, the battle Duncan faces – between light and darkness, good and bad, life and death – ramps up to an almost unbearable pitch which, we know, cannot be sustained for long. In this dark night of the modern soul, the ending, when it comes is swift, brutal – and utterly unexpected.

NB: Includes highly explicit sexual content

Duncan Pow was born in 1977 in Edinburgh. He lived in Lockerbie until he was 11, when his family moved to the small medieval city of Wells, in Somerset. He is a highly successful film and TV actor, known for lead roles in Sky One’s Dream Team, Holby City (2008 - 2010), Law and Order UK, as well as Waterloo Road and The Wrong Mans (to name a few). 

After leaving school, Duncan studied Maths at Edinburgh University, and then did a degree in Multimedia Technology at Leeds Metropolitan University, where he graduated with First Class Honours. Prior to his career in acting, he worked as a barman, kitchen hand, forklift truck operator, pan cleaner, in a plastics factory, yoghurt packer, cameraman, editor, DJ, journalist, website designer and a script editor for a financial news programme.

In Between Jobs is Duncan’s first full-length work of fiction. In 2010, the author’s first short plays were performed in Somerset and he is currently working with producers in LA and the UK on a proposed TV series, which will be his first foray into writing for television.

Author’s Home: London                     World Rights




Rudi                  General Fiction 

Danny Morrison

Late one wintry afternoon, in the mid-1960s, a man, over the bloom of youth, comes down a steep country road in a wooded area some miles from the city of Cork. His name is Rudi, he is from the north of Ireland, has no fixed address, and though not from an Irish nationalist background, he is, in fact, a sort of rebel, having left home and community just after the end of WWII, taken to the road, and eschewed the norms of society, after a bruising passionate love affair which sent him off the rails.
He is still trying to find his way, find peace of heart and find peace of mind.
A car pulls up and the driver offers him a lift. Rudi is befriended by the driver and his wife, Matt and Flo, and is particularly taken by their little “princess” of a daughter, Rebecca, who represents some communion with the past. Over subsequent years a powerful friendship is established from which Rudi derives vital succour and, sometimes, the dangerous lure of settling down.
But Rudi has judged that he is not deserving of peace of heart and peace of mind and struggles to negotiate his way through people and society, a passage to the eventual resolution of the meaning of his life.
Danny Morrison’s fourth novel is a modern treatment of Hermann Hesse’s 1915 book, Knulp, which is about a vagrant who has many friends in many towns who admire his freedom and innocence – though his way of coping with life has its complications.
Knulp is fortyish and dying of consumption, but something draws him back to his old village, just as old Rudi is drawn back to Drumbridge and the memories of his youth. But when he gets there, nothing is the same. In his youth, Rudi failed a promising scholarly career because of his obsessive love for Isabel, a love that changed and determined the course of his life.
To those he meets, the great, abiding thing about Rudi is his qualities of independence, pluck, inoffensiveness and generosity. But in old age his commitment is fading and in doubt, and he is paying the price of his passion in youth.
Borrowing from Hesse’s lyrical poems on the theme of homesickness, Morrison explores the meaning of anchorage, existence, life and death, the justice of one man’s life and the decisions he made.

Danny Morrison has written four novels and three books of non-fiction, has edited and contributed to numerous books and periodicals and has written a successful stage play.In the 1980s he was the national director of publicity for Sinn Féin, and during the prison hunger strikes of 1981was the spokesperson for Bobby Sands. Morrison’s description of the IRA’s military and political strategy – as the waging of revolution “with an armalite in one hand and a ballot box in the other” became the foremost quote of the last three decades of conflict in Ireland, and presaged his support for a peaceful and democratic resolution of violence as epitomised in the Good Friday Agreement. In the 1990s he served an eight-year sentence, having been framed by a British intelligence agent, a conviction that was later overturned by the High Court. In prison he wrote several books and short stories. He now writes full-time and is chairperson of Féile an Phobail (literally, “festival of the people”) in West Belfast.

Author’s Home: Belfast                            World Rights ex German Language




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